anja krakowski

Prime Time

Monument for the Victims of the Underground Accident in Valencia on the 3rd of July 2006.

Public commision. Memorial designed in 2015, inaugurated on the 5th of november 2016.

#memorial #monument #contemporaryart #kunst #sculpture

Onomatopoeias (el suplicio de las moscas)

Exhibition, Biennial of Mislata BMMN 2025, Carmen Alborch Cultural Center. Starting December 12, 2025. “True power is not exercised with shouts or whips, but in subtle details, in acts that seem insignificant but which nullify other beings with impunity.” https://valenciaplaza.com/arte-museos-fotografia-valencia-comunitat-valenciana/la-biennal-de-mislata-miquel-navarro-2025-inaugura-pasados-activoscon-las-10-obras-finalistas Onomatopoeias (The Torment of the Flies) Onomatopoeias (The Torment of the Flies) is an artistic exploration focused on the rescue and re-signification of obsolete processes and forms, decontextualized from their original function, as a strategy of symbolic resistance against urban and institutional violence. The project is articulated around Taller March , a former craft workshop space in the Carmen neighborhood of València, reactivated as a place for production and active thought. The piece is constructed from manually stretched silver threads that reprodu...

Group show MA/DONNE, Italy

09-31-March 2025 Villa Cernigliario #anjakrakowski #groupshow #artist #artcollector #artexhibition #künstlerin #gegenwartskunst #exposición

Mirando desde el atalaya

Looking from the Watchtower” was born from the reactivation of a workshop that had been silent for years, threatened by urban pressure and speculative policies. There, through a slow and complex process of manually stretching fine silver, I create threads that become the basis for small sculptures. This patient work allows me to resist the accelerated and impersonal logic of industrial production. Each piece is both memory and transformation: a gesture of healing and a way of opposing the power narratives that attempt to erase spaces and experiences. “Mirando desde el Atalaya” nace de la reactivación de un taller que llevaba años en silencio, amenazado por la presión urbanística y las políticas de especulación. Allí, a través de un proceso lento y complejo de estiramiento manual de plata fina, genero hilos que se convierten en la base de pequeñas esculturas. Ese trabajo paciente me permite resistir la lógica acelerada e impersonal de lo industrial. Cada pieza es a la...