anja krakowski

Exhibition, Biennial of Mislata BMMN 2025, Carmen Alborch Cultural Center. Starting December 12, 2025. “True power is not exercised with shouts or whips, but in subtle details, in acts that seem insignificant but which nullify other beings with impunity.” https://valenciaplaza.com/arte-museos-fotografia-valencia-comunitat-valenciana/la-biennal-de-mislata-miquel-navarro-2025-inaugura-pasados-activoscon-las-10-obras-finalistas   Onomatopoeias (The Torment of the Flies) Onomatopoeias (The Torment of the Flies) is an artistic exploration focused on the rescue and re-signification of obsolete processes and forms, decontextualized from their original function, as a strategy of symbolic resistance against urban and institutional violence. The project is articulated around Taller March , a former craft workshop space in the Carmen neighborhood of València, reactivated as a place for production and active thought. The piece is constructed from manually stretched silver threads that reprodu...

  Looking from the Watchtower”   was born from the reactivation of a workshop that had been silent for years, threatened by urban pressure and speculative policies. There, through a slow and complex process of manually stretching fine silver, I create threads that become the basis for small sculptures. This patient work allows me to resist the accelerated and impersonal logic of industrial production. Each piece is both memory and transformation: a gesture of healing and a way of opposing the power narratives that attempt to erase spaces and experiences. “Mirando desde el Atalaya”  nace de la reactivación de un taller que llevaba años en silencio, amenazado por la presión urbanística y las políticas de especulación. Allí, a través de un proceso lento y complejo de estiramiento manual de plata fina, genero hilos que se convierten en la base de pequeñas esculturas. Ese trabajo paciente me permite resistir la lógica acelerada e impersonal de lo industrial. Cada pieza es a la...

  09-31-March 2025 Villa Cernigliario #anjakrakowski #groupshow #artist #artcollector #artexhibition #künstlerin #gegenwartskunst #exposición 

An ongoing project that evolved from “ (E)specular”, which was part of “variations on the map”, IVAM produces, Valencia Spain. Precious damage explores the psychological and physical impacts of cultural politics and urbanism in relation to conservation that implies expropriation. Trough a process of re- activating discarded spaces, techniques, tools and materials, processes of  political decision making are highlighted. Who decides and for what reasons, why something becomes obsolete, is  the underlying question.   Full text available on the project is available at:  https://polipapers.upv.es/index.php/aniav/issue/view/1038/397   page 35-48 Decisive Line. Anja Krakowski. 2024 Re-ornament. Anja Krakowski. 2023-2024 Silver thread. Anja Krakowski. 2024 Whose territory? Anja Krakowski. 2024 Re-ordenado. Anja Krakowski. 2023-2024

  "Artefacto (beyound us) es una pieza escultórica reticular basada en los elementos estructurales de las ramificaciones radiculares del micelio. El proyecto se inspira en la La Teoría del Actor-Red (ANT), cuya importancia radica en que trata lo tecnológico en la explicación del mundo, de un modo equivalente a la manera en que se trata lo social, es decir considerando el conocimiento como una construcción en red en la que intervienen múltiples agentes y donde no se distingue entre humano y no-humano. La artista, en lugar de domesticar o de someter la fuerza orgánica, cede el protagonismo a los procesos y los tiempos de la naturaleza. Se confronta una estructura geométrica estable con un procedimiento orgánico inestable: construyendo a partir del micelio se permite que el propio “agente” esté siendo representado, a la vez que interviene de un modo activo en su propia representación -más allá del control de la propia artista. Artefacto (beyound us) podría func...

Ibero-American Video Exhibition: "Multipla: Mujer Artista Rexiste" (Multipla: Woman Artist Resists) Museum of Art of the Federal University of Ceará Fortaleza, Brazil Curator: Lilian Amaral Starting August 21, 2019   The demand for sand grows year after year. In addition to its use for road and housing construction, the demand from the fracking industry has been added in recent years, which uses sand along with chemical components and water to fracture the dense rock formations that hide oil and gas. This strong demand is surpassing the supply and driving up the price of this raw material, which is encouraging the creation of groups of poachers who 'hunt' sand on deserted beaches and even in the sea. Sand is the second most consumed raw material by humans after water, a natural resource which is the main reason for wars in the 21st century and is also very abundant in the Western Sahara occupied by Morocco. The history of sand trafficking ...